Baldur’s Gate 3 isn’t the first successful attempt to marry cinematic aspirations with the traditional branching narratives and simulationist world-building of CRPGs. 2009’s Dragon Age: Origins had a very similar mission statement, offering a spiritual successor to BioWare’s earlier Baldur’s Gate titles long before Larian took us back to the titular city (and its surrounding areas).
I remember before it came out, when they boasted that each world would be bigger than all the areas in Inquisition, and I had a sinking feeling, because Inquisition had so much bloat. Andromeda was just more for the sake of more, instead of the side missions being tight missions that gave you extra information about the lore or the world.
It reached a point where whenever I found one of these random rule of three quests in the open world where you kill random whatever enemies and SAM says you need to find more data, I would laugh and say, “welp, that’s a quest I’m never finishing!” and ignore it. I had so much better things to do with my time than drive around the world and hope to come across the next two clues that would pop up in randomly chosen spots. It was a time-waster, and Mass Effect had never had those before. So much of the game feels like it’s designed to take up time to increase play time numbers.